Showing posts with label Eudora Welty. Show all posts
Showing posts with label Eudora Welty. Show all posts

Tuesday, April 19, 2011

Beneath Our Feet and Above Our Heads

By Augusta Scattergood


"Let your fiction grow out of the land beneath your feet."

I started my short speech with that quote. I was speaking to my publisher’s publicity team about my inspiration for writing my first book. The sales people in charge of the book’s future wanted to know about me, why I chose to tell this story, and set in this place. They wanted to know where it came from and was it true?

Since the topic for this season’s blogging is Nature and Writing, I’ve been thinking about the “nature” parts of my book that are true.

My middle-grade novel is set where I grew up, in the Mississippi Delta. Some of the story is not true to my experiences, but it’s all true to history. The place, however, is a part of me. 

I wanted to get it right.

When I lived in that small Delta town, my grandmother’s take on the annual spring flood was “Whoever built the drainage system here ought to be tarred and feathered.” During the spring of my junior year in high school, the front page of the local paper ran a picture of our English teacher being rescued by the Civil Defense team in a flat-bottomed boat. My friends who lived near Fireman’s Park had sandbags protecting their houses. For the grownups in our town, like my grandmother, it was a nightmare. For the kids, it was sheer joy. Thankfully, we never had to worry about being swept away because of backed-up drains or overflowing bayous. For us, spring floods meant tromping all over town in water up to our knees. Missing school or skipping church.

A great scene for a kids’ book, right? So I wrote it in, muddy water and all.

I also tried to write what it felt like in July to sleep under ceiling fans with only minimal help from window air-conditioners. How the sun baked the sidewalks. How a cooling summer storm felt to kids.

I keep reminding myself that some of my readers will never have slept under a ceiling fan or walked barefooted across a park’s dry grass. They may only know a mimosa tree’s pink blossoms from the way I choose to describe them.

I have this hanging above my desk. Both the quote and the friend who made it help remind me that my vision counts:





My friend’s talented like that. We collected the sea glass together. We often talk about getting the writing right. She wrote something on the razor clam that’s worth paying attention to.

Whatever our place, it has been visited by the stranger, it will never be new again. It is only the vision that can be new; but that is enough.
Eudora Welty


From the description of those hot July days when my characters sit still under a big pecan tree and listen to the mockingbirds fussing, to getting the moon in the “right part of the sky” as Miss Eudora warned writers—I'm always asking myself did I write it true? After all, I didn’t spend those too-many-to-count years as a school librarian only to have my first book— historical fiction with an emphasis on historical—criticized as unreliable.

And perhaps even more importantly, did I write it so that young readers who’ll never plant a zinnia can imagine a row of them blooming along a white fence.

Putting the natural world into your writing seems simple enough. But writing it well, taking your readers’ collective breath away, making it true- now that’s a harder task.


Augusta Scattergood first middle-grade novel, Glory Be, will be published in January 2012 by Scholastic. You can follow her slow and steady progress on her blog http://ascattergood.blogspot.com.



Monday, February 21, 2011

Judging a Book By its Cover Info: Does a Title Sell the Book?


by Augusta Scattergood

This go-around’s topic is Advice to New Authors About How to Market a Book.

I’ll be reading these posts very carefully. That new author looking for advice would be me.

When my book comes out in one year, I’ll have memorized fellow middle-grade novelist Kerry Madden’s helpful post on the topic. (Thanks, Kerry, and I already have my bag of props ready!) And I’ll scour the internet, pick my writer friends’ brains, listen to my publisher’s publicity people—anything that helps my book get into the hand of young readers.

In the meantime, I’m working hard to make it the best written book I could possibly imagine. Many edits. Much research. But there’s one more thing I think I can do, very early on, to make my book stand out among the hundreds of debut novels hitting the shelves next year.

Although I suspect I’ll have minimal control over my book’s cover, I do have some say about the title. Right now. Since my editor didn’t love my working title—and true confessions, neither did I— we’re working on something new.

Sadly, I Stink at Titles.

I know a lot of tricks for choosing them, but I need much inspiration and lots of help from my friends. 

In fact, I’ve compiled a list of Ways to Choose Titles. The problem is, especially with kids or Young Adult books, these suggestions can become dated very fast.

But here are a few timeless, or perhaps timely, ideas for mulling over your book’s moniker. My abbreviated list:

1.     Ask a question
2.     Create a mood
3.     Combine opposites
4.     Pay attention to the sounds
5.     Tease your audience
6.     Put Google to work for you (Google movie quotes, top ten book lists, Best sellers, etc. Then play around with combinations.)

As I mull over my upcoming middle-grade novel's title, I’m thinking:

Does a preposition in the title help? Moon Over Manifest just won the Newbery Award. Can’t argue with that. 
How about using a character’s name? A dog’s name? As tricky as this title is, nobody ever forgets Because of Winn-Dixie.

I spent most of my library career at schools filled with excited readers. They traded favorite titles like the coolest silly bandz. Sometimes the exact words of a title eluded them, but if a student loved a book, she talked about it to her friends, spreading the word. And if the title was a zinger, they never forgot it, or the book. Nobody ever stumbled over Nothing’s Fair in Fifth Grade or Judy Blume’s Blubber. Kids loved asking for The Candymakers and Diary of a Wimpy Kid. And why not? Great, appealing, kid-like titles.

Then again, one of my favorite recent books was When You Reach Me. And I cannot for the life of me be sure that’s the exact title. It just does not stick in my brain the way How to Steal a Dog does. And I’ve read When You Reach Me at least three times.

Consider poor Stieg Larsson. Ha. Not poor in the least. But also not so great at title-picking. As reported in a just-translated memoir by Kurdo Baksi, Stieg Larsson, My Friend, his working titles were the feeble The Witch Who Dreamt of a Can of Petrol and Matches and The Exploding Castle in the Air...

Ugh. Give me Girl With The Dragon Tattoo over those dogs of titles anytime.

And speaking of Dog Titles- Here’s a website that offers a different take on choosing titles.

I suspect book jacket art has more sway with purchasers, as do personal recommendations, love of the author, general chatter about a book-- not to mention glowing reviews. At least that’s my feeling about how kids (their parents and their librarians) choose books.

And, still,  I’m wondering, how much does a title influence a book’s sales? Do you gravitate toward a book because of the cover and particularly the title? What are your worst titles ever?  Your best?

Because I sure would like to nail this title thing. And I sure do stink at finding a great one.

 

Augusta Scattergood’s first middle grade novel, 
historical fiction set in 1964 Mississippi, 
will be published by Scholastic in Spring, 2012. 
It is, as yet, untitled.