Showing posts with label Mindy Friddle. Show all posts
Showing posts with label Mindy Friddle. Show all posts

Monday, February 7, 2011

A Dispatch from The Page Turner Luncheon

by Mindy Friddle

One of the best kind of book events is the kind sponsored by news media. Authors are sure to get publicity.  For example, here's one held every February:

Page Turner Luncheon 

in Orangeburg, SC, which benefits Newspapers in Education, an issue I strongly support. It's sponsored by The Times and Democrat, the local daily newspaper.

Three authors appear every year for this ticketed event...last week, Janna McMahan and I were the featured authors.


THIS ARTICLE  from The Times and Democrat in Orangeburg has all the details

  And to my delight, a video of Questions & Answers:
http://www.thetandd.com/news/article_4e66480c-2e8c-11e0-bb4c-001cc4c002e0.html?mode=video




Each table had a clever, beautiful flower arrangement.



Authors, if you're interested in finding out more about next year's Page Turner Luncheon--one of the best-attended and elegant events I've ever had the pleasure to be part of-- contact Kyla Fraser, Advertising Director at The T and D: kfraser@timesanddemocrat.com





Mindy Friddle is the author of The Garden Angel (St. Martin's Press/Picador), selected for Barnes and Noble's Discover Great New Writers program in 2004. 
Her second novel, Secret Keepers (St. Martin 's Press/Picador), won the 2009 Willie Morris Award for Southern Fiction.





Tuesday, December 14, 2010

The Willie Morris Award for Southern Fiction

by Mindy Friddle

The closest I've felt to gripping an Oscar...
was being presented the Willie Morris Award for Southern Fiction October 19th at the New York Yacht Club.

I'd like to thank the Academy...

Thanks to Reba Williams, founder of the award, and Dave Williams, her husband, and the judges who decided on SECRET KEEPERS as the winner, I had a heavenly week.

The Willie Morris Award is a gem for southern writers--and readers.

I pinched myself a lot. My arm was purple.


On that Monday, I attended a luncheon hosted by the Williams at their Fifth Avenue apartment. The judges of the award were in attendance, as well as my editor, and my husband in his new suit [my treat--he needed one, and if you're going to the Yacht Club, a suit is advisable.]

The Yacht Club reception that night include champagne and gorgeous food I was too nervous to eat. One hundred people were there--a warm, attentive audience!--each presented with a copy of SECRET KEEPERS.

I gave a speech. I mentioned a Willie Morris truism: "My town is the place which shaped me into the creature I am now."  I love that quote.  I know that quote. 


The Willie Morris Award includes an expense paid trip to New York, and a cash award of $2,500.

My friends, if you have a southern author in mind who has had a book published in 2010, a book set in the South, a book that "may contain violence and despair, and feature terrible events, but in the final analysis must be uplifting, and suggest hope and optimism," nominate them for this award--and send in a copy of their galley or book to Reba for consideration.

Read the award criteria here.

The spirit of the winning novel should reflect these words of Willie's, "hope for belonging, for belief in a people's better nature, for steadfastness against all that is hollow or crass or rootless or destructive." It is chosen for the quality of its prose, originality, and authenticity of setting and characters.





Among those attending the reception were David, Aurora and James, editors and publicists from Picador.
Mindy Friddle is the author of The Garden Angel (St. Martin's Press/Picador), selected for Barnes and Noble's Discover Great New Writers program in 2004. 
Her second novel, Secret Keepers (St. Martin 's Press/Picador), won the 2009 Willie Morris Award for Southern Fiction.









 

Wednesday, October 13, 2010

Voracious Reader

by Mindy Friddle

I was an Army brat. We moved from South Carolina to Bremerhaven, Germany when I was nine.  Then something happened that had an impact on my life -- a big old crater-sized impact.

Our television didn't work.  
Me, at nine, before my voracious tear.
Actually, all the televisons on the American base didn't work-- there was some weird technical reason. You had to connect a big buzzing transformer to use your blow dryer, for Pete's sake, and the base wasn't big enough to have its own television station.

There  was a library on base, a tiny place crammed with books. And that winter, I read just about every book in the kid's section. Hattie, Heidi, The Hobbit, all the Nancy Drews; I plowed through Little Women and Johnny Tremain and A Wrinkle in Time, to name a few I remember.

By 11, I was working my way through the adult books. I read Benchely's  Jaws, Marilyn French's The Women's Room, Stephen King's Carrie,  John Updike's Couples, James  Jones' Some Came Running, and Xaviera Hollander's The Happy Hooker  before I could wear lipstick. {I didn't check that one out...I found it in Mrs. Terry's house while I babysat her children. They weren't good children. I deserved it.]

By the time I was 12, Carson McCuller's The Heart is a Lonely Hunter and The Member of the Wedding pretty much blew me away. 

What I learned?  Censorship is untenable. Don't worry about what the kids are reading-- worry when they aren't.

Mindy Friddle is the author of The Garden Angel (St. Martin's Press/Picador), selected for Barnes and Noble's Discover Great New Writers program in 2004. 
Her second novel, Secret Keepers (St. Martin 's Press/Picador), won the 2009 Willie Morris Award for Southern Fiction.

Monday, August 16, 2010

Projecting Your Characters...on the Silver Screen

by Mindy Friddle

After an addictive read, do you find yourself wondering what actor could play the part of the protagonist?

Hollywood is all abuzz now about who is going to play the "girl" in THE GIRL WITH THE DRAGON TATTOO. [I vote for Ellen Page.] And I've heard Angelina Jolie is eyeing the script for Ron Rash's SERENA.

When you write, do you picture the characters as actors?

I don't while I'm drafting, but when the manuscript is finished [they're never finished, really, they're abandoned]  it's fun to speculate, and cast the movie.

On MyBooktheMovie I was asked to people my novel SECRET KEEPERS with actors...to cast it.
It was great fun.

Here's the short version:


Emma Hanley - Frances Conroy

I’ll never forget Frances Conroy's fascinating role as Ruth, the matriarch on HBO’s Six Feet Under. Both Frances and Emma, as it happens, are redheads and willowy and southern. Frances, born in Georgia, would capture Emma's soft lilt and steely kindness--and her unexpected chance for a late-in-life romance. She’d make Emma her own.

Dora Hanley Quattlebaum - Kim Dickens

Kim Dickens plays the chef Janette Desautel on HBO’s Treme with a kind of complex determination. Kim’s southern accent is genuine; she’s an Alabama girl.

Bobbie Hanley - Ryan Gosling

Ryan Gosling did a beautiful job portraying the socially inept, fragile but engaging Lars Lingstorm in Lars and the Real Girl. He could bring the same dignity and innocence to Bobby, a former science prodigy who struggles with bouts of schizophrenia.

Jake Cary - Benecio Del Toro

As police officer Javier Rodriguez in Traffic, Benecio Del Toro played a character both incorruptible and smoldering. Brooding and principled. It’s an attractive mix. Jake, head of the Blooming Idiots, is like that. He needs to have a head for business, but he has a soft heart for anyone who needs a hand, and he’s carrying a secret torch for Dora.

Gordon - Clarke Peters
Clarke Peters played the cool-headed and dedicated Lester Freamon on The Wire. Clarke could bring his intensity and his humorous touch to Gordon—a war buddy of Jake who sleeps in the woods, who sees things others miss, whose latent gifts emerge and change everything.

Kyle Quattlebaum - Zach Gilford

Kyle is full of passion and mischief like his mother, Dora.. Friday Night Lights Matt Saracen, played by Zach Gilford, is a sensitive, occasionally awkward but always appealing teenager, who is close to his grandmother.
 
Mindy Friddle is the author of The Garden Angel (St. Martin's Press/Picador), selected for Barnes and Noble's Discover Great New Writers program in 2004. Her second novel, Secret Keepers (St. Martin 's Press/Picador), won the 2009 Willie Morris Award for Southern Fiction.
Visit her blog, "Novel Thoughts."

Wednesday, June 16, 2010

Masterful First Lines

by Mindy Friddle

There are first lines, and there are masterful first lines.

Hi everyone,
I'm actually repeating this post, Masterful First Lines, which I ran on my own blog, Novel Thoughts. This post was great fun because it generated a lot of comments and emails. A number of writers and readers volunteered their own favorite first lines.

The best opening lines of  a novel or short story do many things at once: a first line may intrigue you, create tension or hint at a conflict, say something about a character. A first line is beautiful or lyrical or witty--always memorable.

Here are a few of my favorites (not including the works from our own authors here at A Good Blog is Hard to Find, of course!):

Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice.
-- One Hundred Years of Solitude, Gabriel Garcia Marquez
 [It's famous for a reason. I'm always amazed how that barbed hint about the firing squad adds suspense, hooks me, until I find out what happens.]

Riding up the winding road of St. Agnes Cemetery in the back of the rattling old truck, Francis Phelan became aware that the dead, even more than the living, settled down in neighborhoods.
--Ironweed, William Kennedy
[Francis is, as he refers to himself, a "bum"--a homeless alcoholic, once a star baseball player, who now digs graves to earn money for his next drink.The Catholic graveyard has large marble headstones for the wealthy families, and unmarked for the poor. The cemetery is a neighborhood in perpetuity, divided by class.]

Scarlett O'Hara was not beautiful, but men seldom realized it when caught by her charm as the Tarleton twins were.
--Gone With the Wind, Margaret Mitchell
[I remember being shocked when I read that first line at 14-- Scarlett O'Hara was not beautiful? Huh?]

In the town, there were two mutes and they were always together. - Carson McCullers, The Heart is a Lonely Hunter
[Love that line-- that confident narrator. Those characters.  Love that novel.]

The Grandmother didn't want to go to Florida.-- Flannery O'Connor, "A Good Man is Hard to Find."
[The best short story written in English. I'm not partial-- just because O'Connor was a southern writer. That simple line is sharp as a blade and will bring about the doom of the family, put them at the mercy of a serial killer, a nihilist. The Misfit shows no mercy, and as he coolly threatens  the grandmother, he'll  espouse his theory: ("Jesus was the only One that ever raised the dead," The Misfit continued, "and He shouldn't have done it. He thrown everything off balance.")-- and then bring about the grandmother's moment of grace....but you knew that, right?]

It was a bright cold day in April, and the clocks were striking thirteen. - George Orwell, 1984
[Love that matter of fact craziness-- the world is off it's rocker, and has been for some time. We get that right away.]

They shoot the white girl first. - Toni Morrison, Paradise
['nough said.]

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair. - Charles Dickens, A Tale of Two Cities
[Panoramic wide-screen line, filled with big ideas and a narrator who takes you by the hand.]

Through the fence, between the curling flower spaces, I could see them hitting. - William Faulkner, The Sound and the Fury
[Faulkner is such a visual writer, when I read him I feel I'm in a vivid dream--and this line plunges one in the story.]

We started dying before the snow, and like the snow, we continued to fall. - Louise Erdrich, Tracks
[Oh, that gentle play on words, that brutal meaning:  'to fall' like the snow, like death.]

I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974. - Jeffrey Eugenides, Middlesex
[You have to read this, after that opening.]

It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn't know what I was doing in New York. - Sylvia Plath, The Bell Jar
[Both gorgeous and foreboding as only Plath can do.]

They say when trouble comes close ranks, and so the white people did. - Jean Rhys, Wide Sargasso Sea  
[The suffering caused by colonialism is in that first line.]

So, what's your favorite opening line?

Mindy Friddle is the author of THE GARDEN ANGEL (St. Martin's Press/Picador) and SECRET KEEPERS (St. Martin's Press), just out in paperback from Picador.  Visit www.mindyfriddle.com and her blog, Novel Thoughts: On Reading, Writing & the Earth to read excerpts from her novels, interviews with authors, book reviews, and random musings. Find her on Twitter @mindyfriddle.

Monday, April 19, 2010

On Tree Crotches, Slush Piles, and Secret Keepers

by Mindy Friddle

Before I shamelessly self-plug at the end of this note,  I hope to earn the privilege. 

How? I'm going to share some tips with you about how to avoid the slush pile from a writer/poet/editor. [Not me!}

First-- an aside:
How's your spring? Are you sniffing and dripping on the keyboard? Are you able to pry one swollen eye open in the morning thanks to Allegra and Bobbi Brown? [That's not as naughty as it sounds.]  Me, too.

When I want to clear my head, I go outside among the tall, stoic trees. And lately, I sneeze. Everything is chartreuse. Everyone is sneezing and wheezing, suffering from all the trees'  floating "male gametes"--tree sperm.Yeah, Baby>

There must be some randy going-ons at night in the forest--which gives new meaning to "tree crotch."

So, what does that have to do with the slush pile? Not a thing. Here are the tips I promised to keep you out of the stanky pile o' slush:


A Few Tips to Keep You Out of the Slush Pile

From Jillian Weise's excellent class for the Writing Room in February, a few do's and don'ts that drew gasps from the audience. [Okay, I'm exaggerating-- not gasps, just mad scribbling as they wrote everything down.]  
Who IS Jillian? Her work has appeared in the Atlantic Monthly, Tin House and Washington Square, among other magazines. Her novel, The Colony, was published in March. Her  books of poetry include Translating the Body (All Nations Press, 2006) and The Amputee's Guide to Sex (Soft Skull Press, 2007).  She has worked on the editorial board of The Paris Review and currently works as an editor for The South Carolina Review. 
She suggests these Do's when you submit your work to magazines:

Use 12 point Times New Roman font.

Include a header with your name, address, phone number and email on every page.

Simultaneously submit, and keep a spreadsheet of your submissions. Jillian submits new work every 3 months, wave after wave. When rejections come in, she deals with them in the next 90 day wave. When acceptances come in, contact the other publications to which you submitted and let them know. 

Do use Duotrope's Digest to research and target magazines appropriate for your work. And--of course-- read and subscribe to magazines, and be thoroughly familiar with the publications you submit to.

Write a clear and succinct cover letter
  •  Keep it short and to the point.
  • Address to the editor by name if possible.
  • Don't end with "Cheers." 
  • Don't mention your blog unless it has higher number than Slate.
  • Don't kiss butt, with gushing compliments about how wonderful the publication is. Save that for a separate letter to the editor. [In other words, let your work speak for itself.] 
  • Do mention if you haven't been published before. Seems counter-intuitive, but magazines love to be the first to publish someone, and discover talent.
Don't:
call the magazine to check on your work...withdraw your call...don't call the magazine for any reason.
And don't forget you can also submit online.

Ok-- so here's my plug, no longer shameless because--I hope--I've provided you with some information that just may prove helpful.

The paperback of SECRET KEEPERS, my second novel, will be out next month. ------------>
Picador, my publisher, says May 25 is the magic day.  

Thanks for reading this far, and hope you'll look for a copy.
Happy reading. Happy spring.



Mindy Friddle is the author of THE GARDEN ANGEL (St. Martin's Press/Picador) and SECRET KEEPERS (St. Martin's Press). Visit www.mindyfriddle.com and her blog, Novel Thoughts: On Reading, Writing & the Earth to read excerpts from her novels, interviews with authors, book reviews, and random musings. Find her on Twitter @mindyfriddle.

Tuesday, December 22, 2009

Welcome to the Shiny Happy Digital Age*

by Mindy Friddle

* This title is not ironic. I really believe our new digital age is full of opportunity.

A few years ago, it was considered "quaint" for an author to have a website. Now, it's a must. The "planks" of our author platforms aren't just our published works, newspaper columns, radio gigs--they're Facebook, Twitter, blogs...social networking.

Take Twitter, for example. Yeah, I hear you groaning. Some of you, anyway. Twitter is a little hard to get used to at first. "Why should I Tweet that I just ordered a pizza?" a friend of mine asked. "Who cares?" Well, nobody. But if your Tweet is "The pizza delivery guy is a dead ringer for Brad Pitt. The green mohawk is a poor disguise." That's a little more interesting.

If you're not convinced, read this guest blog post, "Why Writers Should Care About Twitter," on Christina Baker Kline's excellent blog, A Writing Life.
And for some intriguing examples of Tweets from writers, visit Jane Friedman's blog, There Are No Rules
She posts the best Tweets for writers every week. Example: What writers should know about Writing Contests @NathanBransford.

And don't think Twitter is going the way of legwarmers and Members Only jackets-- it's here to stay. As David Carr pointed out yesterday in the NYT: "...on Twitter, the elections in Iran outranked Michael Jackson, who came in second...In an age that is ridiculed as chronically unserious, a life-and-death struggle for freedom on the other side of the world is the story that rang the bell on Twitter."

One more thing: Since our topic this month is the future of publishing, I thought it ideal to spread the word about an upcoming event that addresses this very thing:

The Southern Social Networking Summit Wed., Jan. 6, 2010 (starting at 10am) & Thu., Jan. 7 (ending by 3pm)
at the Hyatt Regency Greenville, 220 North Main Street, Greenville, South Carolina. It's sponsored by a range of very forward-thinking folks: Fiction Addiction, The Open Book, The SC Book Festival, The NC Writers Network, and the Southern Independent Booksellers Alliance [SIBA], just to name a few.

What you'll learn:
  1. How to make time for all the social networks - Facebook, Twitter, Ning, LinkedIn, Glue, Google, Delicious, Wet Paint, Net Galley, Author Buzz, Library Thing, Squidoo, FourSquare, CloudProfile and so many more…
  2. What’s on-line that will feed my work? What’s free and how do I get it? Marketing Partnerships and how to make them work?
  3. What does the research tell us? What trends are coming down the pipe? And how do we manage it all?
  4. Increasing the effectiveness of our combined efforts. How do we move the conversation from insiders to outsiders?

Hope to see you there!

Mindy Friddle is the author of THE GARDEN ANGEL (St. Martin's Press/Picador) and SECRET KEEPERS (St. Martin's Press). Visit www.mindyfriddle.com and her blog, Novel Thoughts: On Reading, Writing & the Earth to read excerpts from her novels, interviews with authors, book reviews, and random musings. Follow her on Twitter @mindyfriddle.

Tuesday, October 20, 2009

On Handling Criticism...by Mindy Friddle


Criticism?


Avoid looking for it.

Stop Googling yourself! Especially late at night when you think no one is looking. You won’t go blind or grow hair on your palms—well, probably not—but it’s habit forming…and after a while, the thrill is gone, anyway. Save your blocks of isolation for writing--not reading about your writing.

Don’t take it personally. What other people think—critics or neighbors—is subjective. Your book, your work, has its own life, its own fate, its own loves and enemies. Your book is not you.

Review books that deserve praise. On blogs, in newspapers. Post glowing five-star reviews for books that deserve it. You’ll send out positive waves. You’ll find out how subjective reviews are—from the reviewer’s side.

All publicity is good publicity. A fellow writer told me that once, and I agree. What’s worse than a scathing review? No reviews. None.

Keep your sense of humor handy. Laugh at the darkness, the hostility, the disappointment, the snarks, the mean spirited.

Be grateful for the positive reviews, the readers who take the time to let you know a book of yours transported them.

Appreciate the reviews that aren’t positive, but are instructive and fair.

I think Aristotle said it best : “Criticism is something we can avoid easily by saying nothing, doing nothing, and being nothing.”

Mindy Friddle is the author of THE GARDEN ANGEL (St. Martin's Press/Picador) and SECRET KEEPERS (St. Martin's Press). Visit www.mindyfriddle.com and her blog, Novel Thoughts: On Reading, Writing & the Earth to read excerpts from her novels, interviews with authors, book reviews, and random musings.

Monday, August 24, 2009

Book Signings That Rock


by Mindy Friddle

Since our proposed topic is the good, the bad, and the ugly of book signings-- I thought I'd concentrate on the good. I mean, enough with the bad and ugly already, right? I don't know about you, but I've had it with that phrase "in this economy." Yeah, it's challenging out there-- but there's good stuff going on, too--inventive, creative events. Especially with book signings. Lately, I've attended or been part of a number of readings and book signings that had something in common: these were successful author events part of a reading series. Groups of readers showed up and bought books.

One example: Litchfield Books' The Moveable Feast, which features literary luncheons with authors at restaurants on Fridays. Tickets are usually $25 each. Books are sold at the luncheons and at the bookstore afterward. I've been honored to do to the Moveable Feast twice as an author-- and both times were fantastic: a roomful of attentive readers.

There are also library-sponsored readings: the Georgia Center for the Book is, again, masterful at organizing author events and cultivating groups of readers who attend and buy books.

There are scads more-- savvy bookstores and libraries and colleges who put together author events that pretty much guarantee that readers will show up. The key, I think, is that they bring the readers to you, the author...they help build a community of readers and writers.

So maybe you live in a place that has no reading series? No author luncheons? No way to bring authors and readers together? Consider starting one. Really! In our community here in Greenville, SC we have a reading series called The Reading Room, sponsored by the nonprofit Emrys Foundation, featuring regional writers who are published and read nationally. We invite [and pay modest honoraria] to poets, novelists, and essayists of the Southeast to read from their work, ask questions of them, and enjoy fellowship with other friends of the arts. [A bookstore is on hand to sell their books.]

And local independent bookstore Fiction Addiction is launching a NEW luncheon series here called Book Your Lunch providing "the ultimate food for thought" with a wide range of authors -- from mystery writers, to award-winning regional novelists to nonfiction and cookbook authors. The series kicks off Sept. 1 with debut novelist Amanda Gable, author of The Confederate General Rides North.

Hey, you can even host readings in your home! [see Poets & Writers article: "thanks to a growing trend in grassroots marketing and publicity, writers in the San Francisco Bay area are reading to packed houses—literally.]

Necessity is the mother of invention-- that old saw is apt. It sure sharpens the entrepreneurial spirit.

Mindy Friddle is the author of THE GARDEN ANGEL (St. Martin's Press/Picador) and SECRET KEEPERS (St. Martin's Press). Visit www.mindyfriddle.com and her blog, Novel Thoughts: On Reading, Writing & the Earth to read excerpts from her novels, interviews with authors, book reviews, and random musings.



Monday, February 23, 2009

How to Get Lost


by Mindy Friddle

"I like to believe that imagination
transcends boundaries of geography.
If you think it up, you can make it better."

There’s a parking garage in downtown Greenville, South Carolina that makes me feel trapped in the surreal staircase of an Escher painting—I drive around and around, stuck on the same level. But then, I’ve never had a strong sense of direction. Using a compass? Reading topography maps? Yikes. That navigation badge in Girl Scouts always eluded me. These days, despite the modern wonder of GPS—with that nice lady telling you where to exit—I still veer off course. “Recalculating route,” the GPS lady repeats, with a certain edge to her voice.

Maybe that explains why one of my favorite parts about writing fiction is taking a familiar setting, tweaking it, and making it my own. Or—more accurately—a character’s own. You won’t believe how liberating it is to depart from a map, wander away from the grid of streets, and imagine a slightly skewed version of a place. Two novels I’ve written are set in “Palmetto,” a thinly veiled Greenville, SC (my hometown). But the resemblance isn’t so much identical as fraternal. Familiar landmarks have a way of appearing in my fiction—a little warped.

For example, my forthcoming novel, Secret Keepers, includes a place called McCann Square, "the first temperature-controlled shopping center" in Palmetto, which once “dazzled the fickle town like a mistress” and lured away downtown’s department stores:
From the moment it opened in 1968, McCann Square’s long passages of indoor shops and artificial lighting, the acres of asphalt parking, left the town smitten. Suddenly, downtown Palmetto, with its paved-over trolley tracks, old-fashioned tattered awnings, and stand-alone three-story brick buildings, seemed shopworn and tired, and a little embarrassing. Who wanted to brave the elements anymore for a pair of socks?
(McCann Square is based on the history of a place here in Greenville called McAlister Square--one of those one-story malls from the 1960's. No matter where you live, you probably have--or had--one of those starter malls in your town.) My grandmother actually remembers pre-mall shopping. On Friday nights--this was in the post-war boom of the 1950's--she headed to downtown Greenville after work, strolling along Main Street, shopping at the crowded department stores and browsing in the new dress shops. If you needed gloves or shoes or curtains, anything fashionable—downtown was the place to go. I can imagine just how liberating a little “walking around” money felt after a decade of economic depression and a world war. Finally the sounds of noisy commerce had returned to Main Street: coins rattling, cash registers ringing, and downtown trolley bells clanging.

In the next decade, my mother’s generation took shopping inside. When McAlister Square opened its doors in 1968, it was the largest mall in South Carolina, anchored by Ivey’s and Meyers-Arnold, department stores that shuttered their downtown locations. In 1982, when I had a driver’s license, a part-time job, and a penchant for a little retail therapy of my own, McAlister Square included shops such as the Record Bar, where I’d buy REO Speedwagon and Styx cassette tapes. I put a dress on lay-away at Casual Corner, and bought my first Member’s Only jacket at Ivey’s. By the 1990’s, in the face of increased competition from Haywood Mall, McAlister Square began to lose its stores, and its fate looked grim, until it was rescued and reinvented. These days McAlister Square is anchored by Greenville Technical College.

But I remember McAlister Square in its heyday, and I find strolling through it now a little disorienting. As I recently walked through its eerily quiet corridors, passing government offices, classrooms, a lone restaurant, and a pipe shop, I was unprepared for a twinge of nostalgia. The same cheery lights overhead, the familiar tiles underfoot, the empty stage in the center, on which countless school choruses had sung. Same structure, but a different place entirely.

In Secret Keepers, McCann Square is rescued from abandonment when investors turn the place into a “faith-based commerce mall.” Renamed Crossroads, it attracts stores such as Hole in the Sole Shoe Repair, Pray and Pay Title Loans, and Testamints Candy Shop. One character in the novel, Dora, harbors an uneasy attachment to the revamped shopping center. In her wayward youth Dora frequented McCann Square, but now she is trying—and failing—to forget her past and reinvent herself. But try as she might, she still sees McCann Square winking at her behind the veil of Crossroads.

The old house that figures prominently in my first novel, The Garden Angel, was originally based on a boarded-up residence off an old highway here, White Horse Road. By the time I finished drafting the novel, the house had sprouted cupolas and spires—a composite of architecture from Earle Street and Hampton Pinckney—moved across town, and gained a family cemetery in the backyard. In other words, the city-swallowed, once-grand estate in the story had come into its own. Still, some folks want to know where the “real” house is. They want to visit it, to see a solid structure, perhaps to compare it with the house they pictured in their heads. As for me, I like to believe that imagination transcends boundaries of geography. If you think it up, you can make it better.

“I created a cosmos of my own,” William Faulkner said about Yoknapatawpha County, the setting for most of his novels and short stories, patterned upon Faulkner’s actual home in Lafayette County, Mississippi. In his 1936 novel Absalom, Absalom! he even included a hand-drawn map of his “apocryphal county,” signing it, "William Faulkner, Sole Owner & Proprietor."

I don’t know if I’ll ever go as far as sketching a map. When people tell me they loved getting lost in my book, it pretty much makes my day.

Mindy Friddle's second novel, Secret Keepers, will be published in May. She is author of The Garden Angel, a Barnes & Noble Discover Great New Writers selection. Visit www.mindyfriddle.com to read excerpts. And visit her blog, Novel Thoughts: Random Musings from a Novelist and Gardener on Reading, Writing and the Earth. And friend her on Facebook.

Friday, December 19, 2008


by Mindy Friddle

Every family has one. A little embarrassing perhaps, baffling to outsiders, but it persists nonetheless.

In my family it is pink and cold.

I'm talking about a family recipe. Or--a specialty. Sort of. Sometimes elaborate, mostly just quirky-- family recipes can be as simple as sugar sandwiches (on Sunbeam white bread of course), or elaborate (fig and jalapeno preserves), but they usually come with stories and nostalgia and a fanatical commitment to continue passing the concoction through the generations. (For those of us old enough to have watched The Waltons-- remember the spinster Baldwin sisters and their secret family"special recipe" in those Mason jars? They gave it out to anyone who would take it and apparently they never drank it themselves, but everyone else knew it was gut-rot moonshine.)

In my family the special recipe is PINK SALAD.

Rumor has it the recipe came from a Good Housekeeping magazine circa 1969. My mother, who had started college as a Home Ec major and was always trying out new recipes, made it for a holiday family dinner. It was the age of Aquarius. A tumultuous time of war and protest and, as the textbooks say, great social upheaval. Schools in South Carolina had yet to be integrated (Mom taught Social Studies and coached cheerleaders at one of the African-American high schools) to help put my father, who had recently returned from Vietnam, through law school at USC in Columbia. My father remembers trying to study one day in the law library with his eyes burning, and looking up to find the room full of people who were crying. Outside, there was a huge anti-war protest, led by Jane Fonda, and the National Guard had been called in to break it up with tear gas, which seeped into the buildings. Hence, the library full of weeping students. Meanwhile, I was in kindergarten singing "I'm Leaving on a Jet Plane," and looking forward to a new show for kids on television, called Sesame Street.

But I digress. (Part of the charm of family recipes are the stories that go along with them.) So...my mother made the recipe from a magazine that featured women with that winged hairdo look of Pat Nixon and Dear Abby, women who wore aprons and heels, and looked as if they were on the tail-end of the Mad Men era. This was still the time when a woman's role was to set a fine table, before cholesterol and Lipitor put the brakes on mayonnaise, sour cream and butter, prior to the worries about red dye in Maraschino cherries. Mom brought the frozen pink salad to the family Christmas dinner. No one had ever seen anything like it-- of course we'd had Jello salads, a staple of any southern dinner, but this was...exotic! Both my grandmothers adopted it. Since then, when we've had strep throat or tonsils out or kidney stones or surgeries, it's the first food we ask for. And for nearly four decades, planning our family dinners start out with the same question: Who is going to bring the Frozen Pink Salad?

The thing is, the boyfriends and girlfriends and husbands and significant others throughout the years have never taken to our pink salad. We serve it cut in an individual square on a limp piece of iceberg lettuce (ewww, I know, but this is a nod to the early 70's) on a little salad plate beside your dinner plate, and there it sits like a handsome carved-out chunk of salmon-flecked granite counter top. Is it dessert? They want to know. Is it a sorbet? (Yeah, right.) Jeez it's really...pink, isn't it? This from my husband. That's okay. Family recipes are the secret handshake between relatives.

In the generosity of the season, I share this family recipe with you. Serve it chilled, with a wink, and admit that yes, it is full of nuts, and definitely pink.

THE FROZEN PINK SALAD
1 cup sour cream
1 cup Duke's mayo
1 cup drained crushed pineapple
2 bananas, mashed
1/2 cup chopped nuts
3/4 cup sugar
1/2 teaspoon salt
2 Tablespoons chopped cherries
Add lots of cherry juice for color. Mix it all up and smush it in a square metal pan and freeze it until firm. Then cut into squares.

Mindy Friddle is author of the novels The Garden Angel (St. Martin's Press/Picador) and Secret Keepers, forthcoming from St.Martin's Press in May. Visit her website and blog, Novel Thoughts. Friend her on Facebook.

Wednesday, July 16, 2008

The Zen of Writing..by Mindy Friddle


Hint: You Just Walk the Path

My life continues to be enriched by reading novels that completely draw me into their worlds. You look up from the pages of such an absorbing read, startled to find yourself back in your own skin, as if you had been off somewhere else (in a Mississippi courtroom in the 1920's, say, or a post-Apocalyptic scarred planet), living another sort of life entirely. I think--I hope-- it's safe to say that writers start off as voracious readers first. We read for inspiration, for the bliss of an absorbing story, and, later, we read with an eye for craft.

I tell students this is the "feed your head" part of writing: a sort of intuitive trust that the right book by the right author will come your way for a reason-- for sustenance, to strengthen your talent, to teach you something about your own writing, help you get unstuck, show you what you need to know IF you're open to exploring, and IF you read widely and deeply.

Francine Prose (novelist and author of Reading Like a Writer) is adamant (in this interview) about seeking out what she needs from the "masters":
You can say, 'Look, James Joyce has written the greatest party scene that has ever been written,' or 'Tolstoy has written the most marvelous horse racing scene.' And if it happens to be that you want to write a party scene or a horse racing scene, you might want to go look and see how geniuses have done it and take a lesson.
Prose also said that, in a serendipitous fashion, the right book often finds its way to her at the right time and reveals something she needs for her own writing.

I LOVE the story of how E.L. Doctorow wrote Ragtime. He's one of my favorite authors; it's one my favorite books. It's a historical novel, full of pitch-perfect details, with a constellation of famous personalities (Houdini, Henry Ford, Emma Goldman, J.P. Morgan, just to name a few) alongside fictional characters. The research, I thought, must have been staggering. But, no. "When you’re working well," Doctorow said in a recent New York Magazine interview, "you don’t do research.Whatever you need comes to you."

Huh? Yeah. Case in point: In Ragtime, there's a scene where two characters (a father and a little girl) flee Westchester, NY on a trolley, making their way all the way to Massachusetts. A snag: After he'd written this scene, the author wasn't even sure if such a feat was possible. So, he got up from his desk at the public library, "and banged my knee on a book and looked down, and I picked it up. It was a corporate history of trolley-car companies. This is the way the book (Ragtime) was assembled."

In Zen-speak, I think this might be known as being in alignment with the universe, open to the present moment, and free from desperation and "grasping" that skews and distorts. In talking with my fellow writers, many tell me they've found the fastest way to get blocked and stymied in a work-in-progress is to consider the writing a means to an end (publication, best sellerdom, freaked out crazy deadlines, etc.) instead of focusing on the writing for its own sake. Richard Bausch, in an interview with Writer magazine some years ago, summed this up beautifully:
When I sit down to write, I'm not thinking about pulling stuff out of myself. I'm thinking about going somewhere, walking around, and seeing what I find. And there's never a time when I sit down and it isn't there. You just walk the path. There is a tremendous amount of work you can get done doing that. There's no part of that that's not fun. I never worry about whether or not it's good. I don't care, right then. I'm walking the path. I know that if I can bring enough attention to it, and be honest and open to it and not cheat it, it'll be fine. Whether it's the best I've ever done is not anything for me to worry about.

When you're in the zone, you're not even YOU, you're watching this story reveal itself (in hard glimmering icy plinks or long, luxurious warm rains-- the story is often fickle as the weather), and, then, somehow, you're writing it.

Which might explain the article I tore out of yesterday's science section of the NYT: "Tongue Orchid's Sexual Guile: Utterly Convincing." I'm in the midst of final edits of my manuscript and I've been stuck for a few days on one paragraph that just needed a little...something. So there, over my first cup of coffee, I found it: There's a slew of delicious, odd scientific facts stuffed into this article, one of which is the perfect missing detail for my scene about a presentation on orchids to senior citizens. I'm grateful, delighted, but not entirely surprised. I knew my little something would come. And in this case, it was delivered to my door.

Mindy Friddle--that's her, pictured at right, at the NY Botanical Gardens-- is the author of THE GARDEN ANGEL (St. Martin's Press/Picador) and SECRET KEEPERS (forthcoming from St. Martin's Press/Picador).Visit www.mindyfriddle.com to read her interviews with authors, drop by her blog, Novel Thoughts. Befriend her on Facebook.