Showing posts with label secret keepers. Show all posts
Showing posts with label secret keepers. Show all posts

Monday, August 16, 2010

Projecting Your Characters...on the Silver Screen

by Mindy Friddle

After an addictive read, do you find yourself wondering what actor could play the part of the protagonist?

Hollywood is all abuzz now about who is going to play the "girl" in THE GIRL WITH THE DRAGON TATTOO. [I vote for Ellen Page.] And I've heard Angelina Jolie is eyeing the script for Ron Rash's SERENA.

When you write, do you picture the characters as actors?

I don't while I'm drafting, but when the manuscript is finished [they're never finished, really, they're abandoned]  it's fun to speculate, and cast the movie.

On MyBooktheMovie I was asked to people my novel SECRET KEEPERS with actors...to cast it.
It was great fun.

Here's the short version:


Emma Hanley - Frances Conroy

I’ll never forget Frances Conroy's fascinating role as Ruth, the matriarch on HBO’s Six Feet Under. Both Frances and Emma, as it happens, are redheads and willowy and southern. Frances, born in Georgia, would capture Emma's soft lilt and steely kindness--and her unexpected chance for a late-in-life romance. She’d make Emma her own.

Dora Hanley Quattlebaum - Kim Dickens

Kim Dickens plays the chef Janette Desautel on HBO’s Treme with a kind of complex determination. Kim’s southern accent is genuine; she’s an Alabama girl.

Bobbie Hanley - Ryan Gosling

Ryan Gosling did a beautiful job portraying the socially inept, fragile but engaging Lars Lingstorm in Lars and the Real Girl. He could bring the same dignity and innocence to Bobby, a former science prodigy who struggles with bouts of schizophrenia.

Jake Cary - Benecio Del Toro

As police officer Javier Rodriguez in Traffic, Benecio Del Toro played a character both incorruptible and smoldering. Brooding and principled. It’s an attractive mix. Jake, head of the Blooming Idiots, is like that. He needs to have a head for business, but he has a soft heart for anyone who needs a hand, and he’s carrying a secret torch for Dora.

Gordon - Clarke Peters
Clarke Peters played the cool-headed and dedicated Lester Freamon on The Wire. Clarke could bring his intensity and his humorous touch to Gordon—a war buddy of Jake who sleeps in the woods, who sees things others miss, whose latent gifts emerge and change everything.

Kyle Quattlebaum - Zach Gilford

Kyle is full of passion and mischief like his mother, Dora.. Friday Night Lights Matt Saracen, played by Zach Gilford, is a sensitive, occasionally awkward but always appealing teenager, who is close to his grandmother.
 
Mindy Friddle is the author of The Garden Angel (St. Martin's Press/Picador), selected for Barnes and Noble's Discover Great New Writers program in 2004. Her second novel, Secret Keepers (St. Martin 's Press/Picador), won the 2009 Willie Morris Award for Southern Fiction.
Visit her blog, "Novel Thoughts."

Wednesday, June 16, 2010

Masterful First Lines

by Mindy Friddle

There are first lines, and there are masterful first lines.

Hi everyone,
I'm actually repeating this post, Masterful First Lines, which I ran on my own blog, Novel Thoughts. This post was great fun because it generated a lot of comments and emails. A number of writers and readers volunteered their own favorite first lines.

The best opening lines of  a novel or short story do many things at once: a first line may intrigue you, create tension or hint at a conflict, say something about a character. A first line is beautiful or lyrical or witty--always memorable.

Here are a few of my favorites (not including the works from our own authors here at A Good Blog is Hard to Find, of course!):

Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice.
-- One Hundred Years of Solitude, Gabriel Garcia Marquez
 [It's famous for a reason. I'm always amazed how that barbed hint about the firing squad adds suspense, hooks me, until I find out what happens.]

Riding up the winding road of St. Agnes Cemetery in the back of the rattling old truck, Francis Phelan became aware that the dead, even more than the living, settled down in neighborhoods.
--Ironweed, William Kennedy
[Francis is, as he refers to himself, a "bum"--a homeless alcoholic, once a star baseball player, who now digs graves to earn money for his next drink.The Catholic graveyard has large marble headstones for the wealthy families, and unmarked for the poor. The cemetery is a neighborhood in perpetuity, divided by class.]

Scarlett O'Hara was not beautiful, but men seldom realized it when caught by her charm as the Tarleton twins were.
--Gone With the Wind, Margaret Mitchell
[I remember being shocked when I read that first line at 14-- Scarlett O'Hara was not beautiful? Huh?]

In the town, there were two mutes and they were always together. - Carson McCullers, The Heart is a Lonely Hunter
[Love that line-- that confident narrator. Those characters.  Love that novel.]

The Grandmother didn't want to go to Florida.-- Flannery O'Connor, "A Good Man is Hard to Find."
[The best short story written in English. I'm not partial-- just because O'Connor was a southern writer. That simple line is sharp as a blade and will bring about the doom of the family, put them at the mercy of a serial killer, a nihilist. The Misfit shows no mercy, and as he coolly threatens  the grandmother, he'll  espouse his theory: ("Jesus was the only One that ever raised the dead," The Misfit continued, "and He shouldn't have done it. He thrown everything off balance.")-- and then bring about the grandmother's moment of grace....but you knew that, right?]

It was a bright cold day in April, and the clocks were striking thirteen. - George Orwell, 1984
[Love that matter of fact craziness-- the world is off it's rocker, and has been for some time. We get that right away.]

They shoot the white girl first. - Toni Morrison, Paradise
['nough said.]

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair. - Charles Dickens, A Tale of Two Cities
[Panoramic wide-screen line, filled with big ideas and a narrator who takes you by the hand.]

Through the fence, between the curling flower spaces, I could see them hitting. - William Faulkner, The Sound and the Fury
[Faulkner is such a visual writer, when I read him I feel I'm in a vivid dream--and this line plunges one in the story.]

We started dying before the snow, and like the snow, we continued to fall. - Louise Erdrich, Tracks
[Oh, that gentle play on words, that brutal meaning:  'to fall' like the snow, like death.]

I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974. - Jeffrey Eugenides, Middlesex
[You have to read this, after that opening.]

It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn't know what I was doing in New York. - Sylvia Plath, The Bell Jar
[Both gorgeous and foreboding as only Plath can do.]

They say when trouble comes close ranks, and so the white people did. - Jean Rhys, Wide Sargasso Sea  
[The suffering caused by colonialism is in that first line.]

So, what's your favorite opening line?

Mindy Friddle is the author of THE GARDEN ANGEL (St. Martin's Press/Picador) and SECRET KEEPERS (St. Martin's Press), just out in paperback from Picador.  Visit www.mindyfriddle.com and her blog, Novel Thoughts: On Reading, Writing & the Earth to read excerpts from her novels, interviews with authors, book reviews, and random musings. Find her on Twitter @mindyfriddle.

Monday, April 19, 2010

On Tree Crotches, Slush Piles, and Secret Keepers

by Mindy Friddle

Before I shamelessly self-plug at the end of this note,  I hope to earn the privilege. 

How? I'm going to share some tips with you about how to avoid the slush pile from a writer/poet/editor. [Not me!}

First-- an aside:
How's your spring? Are you sniffing and dripping on the keyboard? Are you able to pry one swollen eye open in the morning thanks to Allegra and Bobbi Brown? [That's not as naughty as it sounds.]  Me, too.

When I want to clear my head, I go outside among the tall, stoic trees. And lately, I sneeze. Everything is chartreuse. Everyone is sneezing and wheezing, suffering from all the trees'  floating "male gametes"--tree sperm.Yeah, Baby>

There must be some randy going-ons at night in the forest--which gives new meaning to "tree crotch."

So, what does that have to do with the slush pile? Not a thing. Here are the tips I promised to keep you out of the stanky pile o' slush:


A Few Tips to Keep You Out of the Slush Pile

From Jillian Weise's excellent class for the Writing Room in February, a few do's and don'ts that drew gasps from the audience. [Okay, I'm exaggerating-- not gasps, just mad scribbling as they wrote everything down.]  
Who IS Jillian? Her work has appeared in the Atlantic Monthly, Tin House and Washington Square, among other magazines. Her novel, The Colony, was published in March. Her  books of poetry include Translating the Body (All Nations Press, 2006) and The Amputee's Guide to Sex (Soft Skull Press, 2007).  She has worked on the editorial board of The Paris Review and currently works as an editor for The South Carolina Review. 
She suggests these Do's when you submit your work to magazines:

Use 12 point Times New Roman font.

Include a header with your name, address, phone number and email on every page.

Simultaneously submit, and keep a spreadsheet of your submissions. Jillian submits new work every 3 months, wave after wave. When rejections come in, she deals with them in the next 90 day wave. When acceptances come in, contact the other publications to which you submitted and let them know. 

Do use Duotrope's Digest to research and target magazines appropriate for your work. And--of course-- read and subscribe to magazines, and be thoroughly familiar with the publications you submit to.

Write a clear and succinct cover letter
  •  Keep it short and to the point.
  • Address to the editor by name if possible.
  • Don't end with "Cheers." 
  • Don't mention your blog unless it has higher number than Slate.
  • Don't kiss butt, with gushing compliments about how wonderful the publication is. Save that for a separate letter to the editor. [In other words, let your work speak for itself.] 
  • Do mention if you haven't been published before. Seems counter-intuitive, but magazines love to be the first to publish someone, and discover talent.
Don't:
call the magazine to check on your work...withdraw your call...don't call the magazine for any reason.
And don't forget you can also submit online.

Ok-- so here's my plug, no longer shameless because--I hope--I've provided you with some information that just may prove helpful.

The paperback of SECRET KEEPERS, my second novel, will be out next month. ------------>
Picador, my publisher, says May 25 is the magic day.  

Thanks for reading this far, and hope you'll look for a copy.
Happy reading. Happy spring.



Mindy Friddle is the author of THE GARDEN ANGEL (St. Martin's Press/Picador) and SECRET KEEPERS (St. Martin's Press). Visit www.mindyfriddle.com and her blog, Novel Thoughts: On Reading, Writing & the Earth to read excerpts from her novels, interviews with authors, book reviews, and random musings. Find her on Twitter @mindyfriddle.

Tuesday, December 22, 2009

Welcome to the Shiny Happy Digital Age*

by Mindy Friddle

* This title is not ironic. I really believe our new digital age is full of opportunity.

A few years ago, it was considered "quaint" for an author to have a website. Now, it's a must. The "planks" of our author platforms aren't just our published works, newspaper columns, radio gigs--they're Facebook, Twitter, blogs...social networking.

Take Twitter, for example. Yeah, I hear you groaning. Some of you, anyway. Twitter is a little hard to get used to at first. "Why should I Tweet that I just ordered a pizza?" a friend of mine asked. "Who cares?" Well, nobody. But if your Tweet is "The pizza delivery guy is a dead ringer for Brad Pitt. The green mohawk is a poor disguise." That's a little more interesting.

If you're not convinced, read this guest blog post, "Why Writers Should Care About Twitter," on Christina Baker Kline's excellent blog, A Writing Life.
And for some intriguing examples of Tweets from writers, visit Jane Friedman's blog, There Are No Rules
She posts the best Tweets for writers every week. Example: What writers should know about Writing Contests @NathanBransford.

And don't think Twitter is going the way of legwarmers and Members Only jackets-- it's here to stay. As David Carr pointed out yesterday in the NYT: "...on Twitter, the elections in Iran outranked Michael Jackson, who came in second...In an age that is ridiculed as chronically unserious, a life-and-death struggle for freedom on the other side of the world is the story that rang the bell on Twitter."

One more thing: Since our topic this month is the future of publishing, I thought it ideal to spread the word about an upcoming event that addresses this very thing:

The Southern Social Networking Summit Wed., Jan. 6, 2010 (starting at 10am) & Thu., Jan. 7 (ending by 3pm)
at the Hyatt Regency Greenville, 220 North Main Street, Greenville, South Carolina. It's sponsored by a range of very forward-thinking folks: Fiction Addiction, The Open Book, The SC Book Festival, The NC Writers Network, and the Southern Independent Booksellers Alliance [SIBA], just to name a few.

What you'll learn:
  1. How to make time for all the social networks - Facebook, Twitter, Ning, LinkedIn, Glue, Google, Delicious, Wet Paint, Net Galley, Author Buzz, Library Thing, Squidoo, FourSquare, CloudProfile and so many more…
  2. What’s on-line that will feed my work? What’s free and how do I get it? Marketing Partnerships and how to make them work?
  3. What does the research tell us? What trends are coming down the pipe? And how do we manage it all?
  4. Increasing the effectiveness of our combined efforts. How do we move the conversation from insiders to outsiders?

Hope to see you there!

Mindy Friddle is the author of THE GARDEN ANGEL (St. Martin's Press/Picador) and SECRET KEEPERS (St. Martin's Press). Visit www.mindyfriddle.com and her blog, Novel Thoughts: On Reading, Writing & the Earth to read excerpts from her novels, interviews with authors, book reviews, and random musings. Follow her on Twitter @mindyfriddle.

Tuesday, October 20, 2009

On Handling Criticism...by Mindy Friddle


Criticism?


Avoid looking for it.

Stop Googling yourself! Especially late at night when you think no one is looking. You won’t go blind or grow hair on your palms—well, probably not—but it’s habit forming…and after a while, the thrill is gone, anyway. Save your blocks of isolation for writing--not reading about your writing.

Don’t take it personally. What other people think—critics or neighbors—is subjective. Your book, your work, has its own life, its own fate, its own loves and enemies. Your book is not you.

Review books that deserve praise. On blogs, in newspapers. Post glowing five-star reviews for books that deserve it. You’ll send out positive waves. You’ll find out how subjective reviews are—from the reviewer’s side.

All publicity is good publicity. A fellow writer told me that once, and I agree. What’s worse than a scathing review? No reviews. None.

Keep your sense of humor handy. Laugh at the darkness, the hostility, the disappointment, the snarks, the mean spirited.

Be grateful for the positive reviews, the readers who take the time to let you know a book of yours transported them.

Appreciate the reviews that aren’t positive, but are instructive and fair.

I think Aristotle said it best : “Criticism is something we can avoid easily by saying nothing, doing nothing, and being nothing.”

Mindy Friddle is the author of THE GARDEN ANGEL (St. Martin's Press/Picador) and SECRET KEEPERS (St. Martin's Press). Visit www.mindyfriddle.com and her blog, Novel Thoughts: On Reading, Writing & the Earth to read excerpts from her novels, interviews with authors, book reviews, and random musings.

Monday, August 24, 2009

Book Signings That Rock


by Mindy Friddle

Since our proposed topic is the good, the bad, and the ugly of book signings-- I thought I'd concentrate on the good. I mean, enough with the bad and ugly already, right? I don't know about you, but I've had it with that phrase "in this economy." Yeah, it's challenging out there-- but there's good stuff going on, too--inventive, creative events. Especially with book signings. Lately, I've attended or been part of a number of readings and book signings that had something in common: these were successful author events part of a reading series. Groups of readers showed up and bought books.

One example: Litchfield Books' The Moveable Feast, which features literary luncheons with authors at restaurants on Fridays. Tickets are usually $25 each. Books are sold at the luncheons and at the bookstore afterward. I've been honored to do to the Moveable Feast twice as an author-- and both times were fantastic: a roomful of attentive readers.

There are also library-sponsored readings: the Georgia Center for the Book is, again, masterful at organizing author events and cultivating groups of readers who attend and buy books.

There are scads more-- savvy bookstores and libraries and colleges who put together author events that pretty much guarantee that readers will show up. The key, I think, is that they bring the readers to you, the author...they help build a community of readers and writers.

So maybe you live in a place that has no reading series? No author luncheons? No way to bring authors and readers together? Consider starting one. Really! In our community here in Greenville, SC we have a reading series called The Reading Room, sponsored by the nonprofit Emrys Foundation, featuring regional writers who are published and read nationally. We invite [and pay modest honoraria] to poets, novelists, and essayists of the Southeast to read from their work, ask questions of them, and enjoy fellowship with other friends of the arts. [A bookstore is on hand to sell their books.]

And local independent bookstore Fiction Addiction is launching a NEW luncheon series here called Book Your Lunch providing "the ultimate food for thought" with a wide range of authors -- from mystery writers, to award-winning regional novelists to nonfiction and cookbook authors. The series kicks off Sept. 1 with debut novelist Amanda Gable, author of The Confederate General Rides North.

Hey, you can even host readings in your home! [see Poets & Writers article: "thanks to a growing trend in grassroots marketing and publicity, writers in the San Francisco Bay area are reading to packed houses—literally.]

Necessity is the mother of invention-- that old saw is apt. It sure sharpens the entrepreneurial spirit.

Mindy Friddle is the author of THE GARDEN ANGEL (St. Martin's Press/Picador) and SECRET KEEPERS (St. Martin's Press). Visit www.mindyfriddle.com and her blog, Novel Thoughts: On Reading, Writing & the Earth to read excerpts from her novels, interviews with authors, book reviews, and random musings.



Tuesday, June 30, 2009

Dispatches from the Road: by Mindy Friddle

These days, a book tour is real...and virtual.

As an author, I've learned publicity goes with the job description. Book touring, blog touring, book clubbing, Facebooking, Tweeting, Skyping, e-newsletters, contests...I'm game. But I've also learned that the publicity part takes a whole different set of muscles from toiling in isolation at your desk with your gin & tonic.

For six weeks now, I've been on the Bootylicious Book Tour for SECRET KEEPERS, my second novel. I've visited brick-and-mortar indie bookstores--where I left boot planters behind to be raffled off or displayed. I hit the virtual road with a WOW-sponsored blog tour-- guest posting or being interviewed at dozens of blogs for the month of June. Topics for my guest posts have covered not just writing and books, but the importance of book covers, photography as a stress-reliever, travel, to-do and to-be lists, and how to certify your yard as a wildlife habitat. In a word--whew! Time for some shady R&R.

But it's great fun to talk and correspond with readers--it's a real pleasure. People are so generous. The emails from readers are wonderful. I put them on my website. All I have to do is read them in dark moments, and I feel a surge of gratitude.

Which leads me to the month's BQ [Big Question]: What advice would you offer aspiring writers?

When I started my first novel, I wrote on weekends because I was a single mom for a number of those years, and I worked full time. I found that by writing 5 or 6 hours on both Saturday and Sunday, and one weekday morning or evening, I could keep a momentum going. A novel is a marathon. Someone once told me that, and it's true. So, when people ask my advice about writing and finishing novels, I tell them I find it helpful to do a couple of things:
  • Set up a schedule. Write at least three times a week for two hours or more each session. Commit to this schedule.
  • First Draft: Think Flow. Have a daily word count goal for the first draft--1,000 words, for example. And while you're writing the first draft, don't get up from your desk until you've met that goal. Even if it's wild sentences, or you find yourself on a tangent, write your 1,000 words, and don't judge just yet. You'll develop a habit of writing on schedule, and you'll at least have something to revise down the road. After 4 or 6 months, you'll have a big, baggy monster of a first draft...and you can put it aside for a while, and then jump back in to figure out what the story is, and cut away and revise, revise, revise. Think FLOW with your first draft. Keep the portal open.
  • Save polishing for later. Resist the temptation to re-read and polish those opening pages. Some writers may work this way, but I think for many of us pushing through to the end is the best way to handle a first draft. You will be resistant to changing the opening if you invest too much time and energy in it. That first chapter or two will be reading better and better, but the fact is, the opening may eventually need to be discarded or moved.
  • Find a group of fellow writers. You can read each other's work. Here's why: You'll often learn a great deal about your own writing by closely reading and critiquing a fellow writer's work. It's amazing how this helps! [Of course, be gentle...point out what works. Knowing what works in a piece is so helpful.]
  • Consider Contests & Apply for Grants. Something I love about entering work in contests: the deadlines. Sounds funny, maybe, but consider two important points: 1. You have to prepare and submit something by a certain date—which can motivate you to finish or polish. 2.You’ll find out whether your manuscript made it or not within a certain time frame. Even if your work didn’t make it this time, take heart. So often when you submit a story or article for publication, you wait a loooong time to find out if it was read, much less accepted. At least in contests, you’ll know for certain if your work was considered or not. Poets & Writers has an excellent calendar and listing of contests. You can find them at bookstores and also online.
  • Read widely and deeply: all genres, all kinds of books, on subjects that enthrall you and on topics you don't know much about. Feed your head.

THE GARDEN ANGEL took 8 years from the idea--an image of a crumbling, beautiful homestead-- to publication. I didn't work on it every day in those years--I was learning HOW to write a novel, and that took patience. I would finish a draft and put it aside for a while, or have readers give some feedback, then revise. Figuring out the structure--how to tell the story--that I pondered, worked on, revised.SECRET KEEPERS took about four years from start to finish. I'm hoping the next one will take two years. Half-life, you know, like in nuclear physics. Now that's a subject I know a lot about!


Mindy Friddle's first novel, The Garden Angel, was selected for Barnes & Noble's Discover Great New Writers program in 2004 and was a SIBA bestseller. She was awarded a Fellowship in Prose from the South Carolina Arts Commission in 2008. Her second novel, Secret Keepers, was published in May by St. Martin's Press. Join her on Facebook and Twitter.To read excerpts from the novels, visit her website www.mindyfriddle.com and her blog, Novel Thoughts: Musings on Writing, Reading & the Earth.

Monday, February 23, 2009

How to Get Lost


by Mindy Friddle

"I like to believe that imagination
transcends boundaries of geography.
If you think it up, you can make it better."

There’s a parking garage in downtown Greenville, South Carolina that makes me feel trapped in the surreal staircase of an Escher painting—I drive around and around, stuck on the same level. But then, I’ve never had a strong sense of direction. Using a compass? Reading topography maps? Yikes. That navigation badge in Girl Scouts always eluded me. These days, despite the modern wonder of GPS—with that nice lady telling you where to exit—I still veer off course. “Recalculating route,” the GPS lady repeats, with a certain edge to her voice.

Maybe that explains why one of my favorite parts about writing fiction is taking a familiar setting, tweaking it, and making it my own. Or—more accurately—a character’s own. You won’t believe how liberating it is to depart from a map, wander away from the grid of streets, and imagine a slightly skewed version of a place. Two novels I’ve written are set in “Palmetto,” a thinly veiled Greenville, SC (my hometown). But the resemblance isn’t so much identical as fraternal. Familiar landmarks have a way of appearing in my fiction—a little warped.

For example, my forthcoming novel, Secret Keepers, includes a place called McCann Square, "the first temperature-controlled shopping center" in Palmetto, which once “dazzled the fickle town like a mistress” and lured away downtown’s department stores:
From the moment it opened in 1968, McCann Square’s long passages of indoor shops and artificial lighting, the acres of asphalt parking, left the town smitten. Suddenly, downtown Palmetto, with its paved-over trolley tracks, old-fashioned tattered awnings, and stand-alone three-story brick buildings, seemed shopworn and tired, and a little embarrassing. Who wanted to brave the elements anymore for a pair of socks?
(McCann Square is based on the history of a place here in Greenville called McAlister Square--one of those one-story malls from the 1960's. No matter where you live, you probably have--or had--one of those starter malls in your town.) My grandmother actually remembers pre-mall shopping. On Friday nights--this was in the post-war boom of the 1950's--she headed to downtown Greenville after work, strolling along Main Street, shopping at the crowded department stores and browsing in the new dress shops. If you needed gloves or shoes or curtains, anything fashionable—downtown was the place to go. I can imagine just how liberating a little “walking around” money felt after a decade of economic depression and a world war. Finally the sounds of noisy commerce had returned to Main Street: coins rattling, cash registers ringing, and downtown trolley bells clanging.

In the next decade, my mother’s generation took shopping inside. When McAlister Square opened its doors in 1968, it was the largest mall in South Carolina, anchored by Ivey’s and Meyers-Arnold, department stores that shuttered their downtown locations. In 1982, when I had a driver’s license, a part-time job, and a penchant for a little retail therapy of my own, McAlister Square included shops such as the Record Bar, where I’d buy REO Speedwagon and Styx cassette tapes. I put a dress on lay-away at Casual Corner, and bought my first Member’s Only jacket at Ivey’s. By the 1990’s, in the face of increased competition from Haywood Mall, McAlister Square began to lose its stores, and its fate looked grim, until it was rescued and reinvented. These days McAlister Square is anchored by Greenville Technical College.

But I remember McAlister Square in its heyday, and I find strolling through it now a little disorienting. As I recently walked through its eerily quiet corridors, passing government offices, classrooms, a lone restaurant, and a pipe shop, I was unprepared for a twinge of nostalgia. The same cheery lights overhead, the familiar tiles underfoot, the empty stage in the center, on which countless school choruses had sung. Same structure, but a different place entirely.

In Secret Keepers, McCann Square is rescued from abandonment when investors turn the place into a “faith-based commerce mall.” Renamed Crossroads, it attracts stores such as Hole in the Sole Shoe Repair, Pray and Pay Title Loans, and Testamints Candy Shop. One character in the novel, Dora, harbors an uneasy attachment to the revamped shopping center. In her wayward youth Dora frequented McCann Square, but now she is trying—and failing—to forget her past and reinvent herself. But try as she might, she still sees McCann Square winking at her behind the veil of Crossroads.

The old house that figures prominently in my first novel, The Garden Angel, was originally based on a boarded-up residence off an old highway here, White Horse Road. By the time I finished drafting the novel, the house had sprouted cupolas and spires—a composite of architecture from Earle Street and Hampton Pinckney—moved across town, and gained a family cemetery in the backyard. In other words, the city-swallowed, once-grand estate in the story had come into its own. Still, some folks want to know where the “real” house is. They want to visit it, to see a solid structure, perhaps to compare it with the house they pictured in their heads. As for me, I like to believe that imagination transcends boundaries of geography. If you think it up, you can make it better.

“I created a cosmos of my own,” William Faulkner said about Yoknapatawpha County, the setting for most of his novels and short stories, patterned upon Faulkner’s actual home in Lafayette County, Mississippi. In his 1936 novel Absalom, Absalom! he even included a hand-drawn map of his “apocryphal county,” signing it, "William Faulkner, Sole Owner & Proprietor."

I don’t know if I’ll ever go as far as sketching a map. When people tell me they loved getting lost in my book, it pretty much makes my day.

Mindy Friddle's second novel, Secret Keepers, will be published in May. She is author of The Garden Angel, a Barnes & Noble Discover Great New Writers selection. Visit www.mindyfriddle.com to read excerpts. And visit her blog, Novel Thoughts: Random Musings from a Novelist and Gardener on Reading, Writing and the Earth. And friend her on Facebook.

Friday, December 19, 2008


by Mindy Friddle

Every family has one. A little embarrassing perhaps, baffling to outsiders, but it persists nonetheless.

In my family it is pink and cold.

I'm talking about a family recipe. Or--a specialty. Sort of. Sometimes elaborate, mostly just quirky-- family recipes can be as simple as sugar sandwiches (on Sunbeam white bread of course), or elaborate (fig and jalapeno preserves), but they usually come with stories and nostalgia and a fanatical commitment to continue passing the concoction through the generations. (For those of us old enough to have watched The Waltons-- remember the spinster Baldwin sisters and their secret family"special recipe" in those Mason jars? They gave it out to anyone who would take it and apparently they never drank it themselves, but everyone else knew it was gut-rot moonshine.)

In my family the special recipe is PINK SALAD.

Rumor has it the recipe came from a Good Housekeeping magazine circa 1969. My mother, who had started college as a Home Ec major and was always trying out new recipes, made it for a holiday family dinner. It was the age of Aquarius. A tumultuous time of war and protest and, as the textbooks say, great social upheaval. Schools in South Carolina had yet to be integrated (Mom taught Social Studies and coached cheerleaders at one of the African-American high schools) to help put my father, who had recently returned from Vietnam, through law school at USC in Columbia. My father remembers trying to study one day in the law library with his eyes burning, and looking up to find the room full of people who were crying. Outside, there was a huge anti-war protest, led by Jane Fonda, and the National Guard had been called in to break it up with tear gas, which seeped into the buildings. Hence, the library full of weeping students. Meanwhile, I was in kindergarten singing "I'm Leaving on a Jet Plane," and looking forward to a new show for kids on television, called Sesame Street.

But I digress. (Part of the charm of family recipes are the stories that go along with them.) So...my mother made the recipe from a magazine that featured women with that winged hairdo look of Pat Nixon and Dear Abby, women who wore aprons and heels, and looked as if they were on the tail-end of the Mad Men era. This was still the time when a woman's role was to set a fine table, before cholesterol and Lipitor put the brakes on mayonnaise, sour cream and butter, prior to the worries about red dye in Maraschino cherries. Mom brought the frozen pink salad to the family Christmas dinner. No one had ever seen anything like it-- of course we'd had Jello salads, a staple of any southern dinner, but this was...exotic! Both my grandmothers adopted it. Since then, when we've had strep throat or tonsils out or kidney stones or surgeries, it's the first food we ask for. And for nearly four decades, planning our family dinners start out with the same question: Who is going to bring the Frozen Pink Salad?

The thing is, the boyfriends and girlfriends and husbands and significant others throughout the years have never taken to our pink salad. We serve it cut in an individual square on a limp piece of iceberg lettuce (ewww, I know, but this is a nod to the early 70's) on a little salad plate beside your dinner plate, and there it sits like a handsome carved-out chunk of salmon-flecked granite counter top. Is it dessert? They want to know. Is it a sorbet? (Yeah, right.) Jeez it's really...pink, isn't it? This from my husband. That's okay. Family recipes are the secret handshake between relatives.

In the generosity of the season, I share this family recipe with you. Serve it chilled, with a wink, and admit that yes, it is full of nuts, and definitely pink.

THE FROZEN PINK SALAD
1 cup sour cream
1 cup Duke's mayo
1 cup drained crushed pineapple
2 bananas, mashed
1/2 cup chopped nuts
3/4 cup sugar
1/2 teaspoon salt
2 Tablespoons chopped cherries
Add lots of cherry juice for color. Mix it all up and smush it in a square metal pan and freeze it until firm. Then cut into squares.

Mindy Friddle is author of the novels The Garden Angel (St. Martin's Press/Picador) and Secret Keepers, forthcoming from St.Martin's Press in May. Visit her website and blog, Novel Thoughts. Friend her on Facebook.