Showing posts with label Bente Gallagher. Show all posts
Showing posts with label Bente Gallagher. Show all posts

Monday, May 30, 2011

Lest we forget

by Jenna Bennett

Happy Memorial Day!

It’s a holiday that started in the South, did you know that? Known back then as Decoration Day, the first commemoration was held in Charleston, South Carolina, in 1865, less than a month after the Civil War ended.

The site of the celebration, at the Washington Race Course, had been used as a temporary Confederate prison camp for captured Union soldiers, as well as a mass grave for those soldiers who died there. Immediately after the cessation of hostilities, freedmen – freed African slaves – exhumed the bodies from the mass grave and reinterred them in individual graves. They built a fence around the graveyard with an entry arch, and declared it a Union cemetery. On May 1, 1865, a crowd of thousands, mainly black residents, proceeded to the location for events that included sermons, singing, and a picnic, thereby creating the first Decoration Day celebration

The practice of decorating soldiers’ graves had become widespread in the North, as well. The first known observance of Decoration Day north of the Mason-Dixon line was in Waterloo, New York, a year later, on May 5, 1866.

In 1868, Decoration Day was made a national holiday, and was observed for the first time on May 30 of that year; a date chosen because it was not the anniversary of a battle. There were events in 183 cemeteries in 27 states that year, and 336 the next. 

At first, Decoration Day was an opportunity for veterans, politicians and ministers to commemorate the glorious sacrifice of their own side as well as recall the atrocities of the enemy. But by the end of the 1870s, the rancor was gone and the speeches praised the soldiers of both sides. The town of Columbus, Mississippi was actually far ahead of the curve in this endeavor: as early as 1866, their celebration commemorated both the Union and Confederate casualties buried in the town cemetery.

On Memorial Day the flag is raised briskly to the top of the staff and then solemnly lowered to the half-staff position, where it remains only until noon. It is then raised to full-staff for the remainder of the day. The half-staff position remembers the more than one million men and women who gave their lives in service of their country. At noon their memory is raised by the living, who resolve not to let their sacrifice be in vain, but to rise up in their stead and continue the fight for liberty and justice for all.

Have a good day, and at 3 PM, please observe the National Moment of Remembrance, and “voluntarily and informally observe in your own way a moment of remembrance and respect, pausing from whatever you are doing for a moment of silence or listening to Taps."


 
 

Thursday, August 26, 2010

Where the heart is

I’ve been lucky enough in my life to live in several beautiful places. I grew up in Norway, which is considered one of the loveliest places in the world. Mountains, forests, fairytale landscapes with rocks and rivers—not to mention the coast, long enough to reach from Mexico to Canada and beyond.


From Norway I went to New York City, which may not have the reputation of being particularly lovely, but to someone who adores it, it has a beauty all its own. The skyline all lit up at night, the bustle of the streets, the people: all different shapes, sizes, and colors, in their different clothes. The different neighborhoods, with their different personalities. Rockefeller Center at Christmas, with the tree and the skaters.

My last stop so far has been Nashville, which is different again. There’s the Parthenon, of course, and the Country Music Hall of Fame. The Ryman Auditorium, the Opryland Hotel, the Belle Meade and Belmont Plantations... To me, the beauty of Nashville is all about buildings. And not buildings plural, like New York’s skyline. Buildings singular, one at a time. Gorgeous Victorian cottages, rambling Arts and Crafts bungalows, quaint fairytale Tudors with towers and points...

We’re talking about moving again, this time to Saint Augustine, Florida. The oldest town in the United States, settled in 1565 by Pedro Menendez de Aviles. Gorgeous little town with narrow cobblestoned streets, old French Quarter-style buildings made of coquina shell mixture, a fort guarding the harbor, and of course the beautiful Anastasia Island beach, with white sands and azure water. Dolphins breaking the surface on the intracoastal waterway, slow manatees bobbing, graceful sailing boat and—yes—some rather attractively muscled people in skimpy clothes.
Where I am is a big deal to me. What I see around me, what the place smells like, sounds like, feels like. How hot or cold it is. Each place is different, distinctive.

And it’s the same when I write. The setting becomes almost like a character in the book. Distinctive and different. And like the characters, it drives the plot forward. The fact that Waterfield is on the coast of Maine has influenced the kinds of stories I include in the DIY-series; there are subjects I just wouldn’t have been able to tackle had the books been set elsewhere. Smuggling, human trafficking, the US Navy, Marie Antoinette’s cats...

Same thing with A Cutthroat Business. Savannah Martin is who she is because of where she grew up; setting very literally influenced the character, and setting continues to influence the plot and background in that book, and in the ones that will follow. It’s all about the Southern setting, Southern mores, a Southern background.

It probably goes without saying that I also enjoy reading books with a distinctive setting, be it domestic or foreign, real or imagined. Elizabeth Peters’s Egypt in the last century. JD Robb’s New York City anno 2060. Lois McMaster Bujold’s planet of Barrayar. JK Rowling’s Hogwarts. Deborah Crombie’s London and Carla Neggers’s Boston. Julia Spencer-Fleming’s Miller’s Kill. Frank Baum's Land of Oz.

So what about you? Is setting important to you when you read? Do you have any favorite authors whose settings you enjoy? Have you ever read a book specifically because it was set in a certain place? (I have to confess to gobbling up books set in Cornwall. Comes from growing up on Daphne de Maurier, I expect.)

And how about when you write, if you write? Is setting important to you then, or can your books be set practically anywhere and not change appreciably because of it?

Inquiring minds want to know.


Bente Gallagher is the author of A Cutthroat Business, first in the Savannah Martin real estate mysteries (June 2010) and the Do-It-Yourself home renovation mysteries (three strong; DIY-4, Mortar and Murder, coming to a store near you on January 4th, 2011) written as Jennie Bentley. You can read more about her doings and undoings on her website: www.bentegallagher.com

Monday, January 4, 2010

New Years Greetings from the Newbie

by Bente Gallagher

When I was given my assignment for this – my first blog for the Southern Authors – I wasn’t quite sure what to think. The future of publishing? How I took my writing to the next level...?

The thing is, I’ve been published for precisely a year and two months today. My first book, called FATAL FIXER-UPPER – it’s one of those cutesy hobby-mysteries, about a designer-turned-renovator in a small town in Maine – was released on November 4th, 2008. Exactly a year and two months ago. Book 2, SPACKLED AND SPOOKED, came last August, and I’m currently gearing up for book 3, PLASTER AND POISON, which is due to hit stores in March. I’ve finished writing book 4, and I’m keeping my fingers crossed that the wheels of publishing keep turning for long enough that I can see it hit stores in late 2010. In the meantime, I’m looking forward to the publication of the first book in another series, A CUTTHROAT BUSINESS, in June 2010.

Sounds good, but really and truly, getting published at all is the only level I’ve attained thus far. I’m sure my writing must be getting better—usually that happens when you do something a lot; you get better at it—but I can’t say I think about that a whole lot. I’m too busy cranking out words as quickly as I can.

I wouldn’t mind taking my career to the next level, though, although I guess it would help if I knew what that meant. Is it more money? More books sold? My name in bigger letters? Moving from mass market paperback to hardcover? Hitting the New York Times bestseller list? Being featured on Oprah? Is that how you know you’ve arrived?

Or maybe you don’t ever know you’ve arrived.

I had occasion, last year sometime, to meet the wonderful Carolyn Haines (Hi, sweetie!) who should need no further introduction. She came to speak at our local Sisters in Crime meeting in Nashville, and we had dinner together afterwards, a group of us, and if she lived closer, I swear I’d be bugging her all the time, because she’s just great fun and I had a marvelous time hanging out with her. Of course, what I did to repay the kindness, was to beg the poor woman to read my ARC and – if she liked it – to blurb my new book.

Just goes to show that a good deed never goes unpunished.

Carolyn, being a class act all the way, agreed. And I appreciate it. The funny thing was when she told me she wished she could get one of the big names to endorse her. Which struck me as hilarious, since I wanted her to endorse me because she is a big name...

This is the first blog of the year, so I guess maybe it’s appropriate to do those dreaded New Year’s resolutions. What I’m going to do to take my writing to the next level in 2010.

Here are my resolutions; feel free to chime in with your own:

1. I’m going to finish the last book on my contract, and make it the best book it can be.


2. I’m going to write another book as well, one that isn’t under contract, and make that the best book it can be, too. And then I’m going to pray that my agent can sell it.


3. I’m going to attend three writers conferences in my own neck of the woods. (No, that’s not actually a resolution. I’m already signed up for those.)


4. I’m going to attend one writers conference somewhere else, and while I’m there, I’m going to pretend to be out of myself, and I’m going to meet someone I haven’t met before and make a new friend and learn something I didn’t already know.

5. I’m going to attend at least one association meeting every month, and actually get involved in each of the associations I’m a member of.

6. And because writing is one of those professions where you can easily spend fifteen hours a day sitting on your spreading butt in front of the computer—at least I can—I’m going to stand up and exercise at least every other day. Mens sana en corpore sano, and all that.

So that’s it for me. Feel free to tell me what your New Years resolutions are going to be this year, or give me some ideas for how you’re planning to take your writing to the next level in 2010. Or suggestions for how I can do the same for mine. And if you have some insight into the future of publishing, I wouldn’t mind if you wanted to share that with me, as well.

Happy New Year!



Bente Gallagher writes the Do-It-Yourself Home Renovation mysteries for Berkley Prime Crime under the pseudonym Jennie Bentley, and—starting in June 2010—the Savannah Martin Real Estate mysteries as herself. She lives in a historic neighborhood in Nashville with two boys, a hyperactive dog, a parakeet, two goldfish and two African dwarf frogs, plus her husband the Realtor®.

You can find her at http://www.bentegallagher.com/ or http://www.jenniebentley.com/ (they’re one and the same) or at http://www.happy2sellnashville.com/, if you’re in the market to look at real estate.